Thoughts on the 2018 film “Mary Magdalene”

First, let me say this: I loved this movie, and I know I am in the minority. Unlike most film reviewers, I was not bothered by the slow pacing, the wide open spaces in the dialogue, nor the glances loaded with meaning. Also, unlike most audience members, I was not turned off by the “feminist” interpretation (more on that later), nor the non-literal presentation of the Gospel story, because this is a film that asks us to stop clinging to traditional—and often non-textual—readings of Mary Magdalene. Contrary to some reviews, this movie is not based more on Gnostic texts than the Gospels, but it does weave some bright, challenging extra-canonical threads into what has become a comfortingly familiar orthodox fabric. Read more

Movie review: Mary Magdalene (Close to Jesus – Mary Magdalene)

Archived from The Magdalene Review on Saturday 24 December 2005:

 Mary Magdalene (2000), the United States release of the Italian made-for-television film Gli amici di Gesù – Maria Maddalena, was not a run-of-the-mill Mary Magdalene movie. Usually movies about Mary Magdalene fall into two categories: those about Jesus in which she happens to appear, usually as repentant prostitute, and pious retellings of Mary’s racy life that end with her finding Jesus, salvation, and peace. Although the film currently under review is absolutely at home in the latter category, it doesn’t come across as pretentious and superficial as others have. Read more

DVC in Newsweek

Archived from The Magdalene Review on Thursday 22 December 2005

The Da Vinci Code is featured in this week’s issue of Newsweek. The article revolves around how those involved with the film feel about the story as well as their roles in the movie. Some interesting tidbits about the business of DVC are revealed, such as how the film rights were captured by Sony, how the actors and directors came to be involved, and how sets were handled on location. (The real Mona Lisa, relegated to a storage closet!?) Read more